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I hung out with native Indian rude boys who were the same age as me, riding cars, smoking, shooting rifles, but when the sun went down they climbed the mountains to prey to their spirits.
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I made lots of Native Indian friends though and visited the Navajo reservation in Arizona.
Wale the album about nothing listen tv#
I saw great concerts – Fela Kuti, Bunny Wailer, Grateful Dead – yet I worked on TV commercials for McDonalds, Pizza Hut. In 1987 OKI fled to New York to live the “Babylon” life as a director of TV commercials: “New York is love and hate. My mum was also really upset and begged me to stop meeting my father”. I found his address, went to Hokkaido and met him”.įor the young OKI, initial joy soon turned to confusion: “I was listening to a lot of reggae music at this time which told me to go “back to my roots” so I moved to Hokkaido but it was tough as I didn't feel Ainu. A few years later I came across a book on Ainu culture and inside was a photo of a sculpture by my real father – seeing his name triggered a flashback for me. When I was 18 I received a strange phone call from a woman who said: ‘Are you OKI? Do you know your father is not your real father?’ then hung up. OKI’s father was Bikki Sunazawa, a renowned Ainu wood sculptor, yet his parents divorced when he was four: “My mum then married a Japanese man and decided to erase her past - she never told me I was Ainu. He is one of only a handful of musicians who play the tonkori, a five-stringed Ainu harp, which is both the pulse of this record and the force that unifies the disparate sounds he introduces: “I’ve never seen a traditional tonkori player”, he says “They were all dead when I started”. Tender tonkori melodies, meditative dub excursions and Ainu folk songs combine on Tonkori in the Moonlight, an 11-track collection of mostly traditional songs performed by indigenous Ainu musician OKI.īorn on the Japanese island of Hokkaido in 1957, OKI is a contemporary of the likes of Haroumi Hosono and Midori Takada, yet as a musician who blends Ainu folk music with international influences his style is singular in the canon of Japanese music though he is quick to point out: “I might travel on a Japanese passport but I am Ainu”.Įmbracing reggae, dub, Irish folk, throat singing, African drumming and music from Central Asia, it is OKI’s openness to international influences that has seen him revitalise Ainu folk music - breathing new life into a musical culture that was on the verge of extinction. “Like nothing you’ve ever heard before” The Wire This project is very strong for Wale and will probably benefit his career and keep him pushing out albums and content, but as a true fan, I am disappointed and sometimes with all the music that’s out now, I just want a little old school vibe from the same artist that I used to love.“Supercool Japanese minimalism” The Observer Wale stills proves his lyrical talent and artistic genius on the album. I will say this, any doubt about Wale losing his touch whatsoever as a lyricist is no longer present. don’t get me wrong there are a few bangers on Shine, but none that truly stand out to me.
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The album is mostly consisted of mainstream pop songs which is great for sales but not for longtime fans hoping for the poetic backpacker from MMG.
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He definitely doesn’t go against the grain. Wale does very as to stay with the wave and appeal to radio stations. I usually do a track by track review on new albums but I decided to sum this album up into insightful opinion s as a whole. Well, Wale has just released his latest project, ‘Shine’ 2 days ago. Wale granted his fans with a mixtape in between that held its own and was a treat to longtime fans.
Wale the album about nothing listen full#
It’s been since 2015 that he released his full length EP ‘The Album About Nothing’. It’s been awhile since Wale has dropped an album.